[HDR-photo] Real-World example (Was: Alignment)
Ferrell McCollough
ferrellmc at comcast.net
Fri Feb 16 07:46:06 EST 2007
Bernhard,
First I'd like to thank you, Royce, Roger, Geraldine and others for
participating. It is very much appreciated.
When you wrote about the Fuji in extended mode, are you saying both RAW and
Jpeg are converted with the camera respose curve. In general, jpeg is
converted using a camera response curve. You can create a camera response
curve using Ward's HDRshop although I don't think you can bring it into
photomatix. Regarding RAW>jpeg we all know there is a response curve
involved but there is a little discussed response curve that takes place
from real world>pixel value. Doesn't HDR have to unravel that also?
Also AutoPano Pro (APP) allows you to stitch the exposures and sections in
sort of a two dimensional array. The exposures are stacked vertically and
the sections horizontally. It uses SIFT technology for the contol points
which is very reputable. Also you can save the stitched exposures as 16-bit
tiff's for merging and TM'ing in another program or you can merge and Tm in
APP. The TM operator is however, a global operator.
You may be able to get the "cripsyness" that your earlier work didn't have
with STITCH>hdr>Tonemap using APP and SIFT technology.
The three methods for HDR pano varies when the stitching is done. It can be
first, second or third:
STITCH>hdr>Tonemap
hdr>STITCH>Tonemap
hdr>Tonemap>STITCH
Each stage, stitching, merging and tone mapping involves blending and thus
creates a potential for error in subsequent stages. A logical argument could
be made that the process that involves the smallest amount of blending
should take place first, followed by the second amount of blending and
ending with the most drastic blending of the three. Stitching the individual
exposures -2EV 0 +2EV has the lowest impact on the tonal distribution of the
image set. The next would be 32-bit HDR stitching followed by stitching of
the single tone mapped images.
your thoughts...
Ferrell
----- Original Message -----
From: "Bernhard Vogl" <bvogl at gmx.at>
To: "High Dynamic Range Photography" <hdr-photo at hdr-photography.com>
Sent: Friday, February 16, 2007 5:10 AM
Subject: Re: [HDR-photo] Real-World example (Was: Alignment)
> Hello Pablo,
>
>> If its a global mapping this should not be a problem, since it just
>> corresponds to modifying the response curve. If it depends on the scene
>> or uses some kind
>> of local tone mapping (which is much more computationally expensive),
>> then the mode is not suitable for the creation of scene referred HDR
>> images.
>
> I think, it's a "global operator". In-camera CPUs are not very fast and a
> "local operator" is computationally much too expensive.
> Is is quite noticeable, how the camera slows down when switching to
> extended mode... ;-)
>
>> If the curves are static and do not change between the images, it should
>> be possible to recover it, no matter if they are more S-shaped or not.
>> The resulting HDR image will probably show considerable quantisation
>> effects due to the shallow ends of the shaped curve though.
>
> It is far beyond my knowledge how Photomatix and other software products
> compute the camera response curve and why this shifts exposure. It's just
> what i encountered with my "real world examples" :-)
> The quantisation artefacts, by the way, are noticeable in the discussed
> example...
>
> Best regards
> Bernhard
> _______________________________________________
> HDR-photo mailing list
> HDR-photo at hdr-photography.com
> http://www.hdr-photography.com/mailman/listinfo/hdr-photo
More information about the HDR-photo
mailing list