[HDR-photo] HDR as the new digital negative
BillHughey
billhughey at eacceleration.com
Thu Feb 8 12:29:55 EST 2007
I had thought to discuss the technical merits of HDR as a negative
format over the established (?) DNG format or perhaps the motion picture
industry standard DPX. However that discussion gets bogged down in
things like how many bits do you need to store a photo of angels dancing
on the head of a pin! Dry...
Lets say you have been doing some HDR photography today, 2007. If you
read the article referenced below, you might wonder what your photos
will look like in the year 2017 when you are showing them to your grand
kids. If you saved then as jpegs or tiffs at todays screen ranges of
300:1 (8bits per color channel) as most of our photos are stored today,
they might look a little flat next to images taken with the cameras of
2017 and displayed on screens that have a range of 10,000 : 1 or better.
Okay, so you have your HDR 'negatives' still around somewhere in your
file system. After finding them, you use the tone mapping programs of
the day (2017 remember). Tone mappers have improved greatly and the key
idea is that now they don't have to work as hard because they are not
scaling down to a 300:1 display anymore! So the images that you show
your grand kids will look even better than when you took them back in 2007.
While this may not be tops on the list of the average amateur
photographer, think of the investment that pro photographers have in
their art! Preserving that investment against the future should be on
their minds today.
So, my plug for HDR is that it represents a handy digital negative
format. If anyone wants to get into the bits and bytes of RGBE,
LogLuv32Tiff, DPX, or DNG we can. I am initially interested if anyone
was thinking along the lines of using it for archival storage?
Oh, and notice the fantastic color photograph taken in 1915 in the
article below. Gorgeous! It also points out that color film
photography sacrificed some tonal resolution for color over black and
white film. HDR can get all that back and go way beyond.... Of course
the author also poses the question of whether a dynamic range of 300:1
represents a 'sweat spot' in our perception of color images. To find
the amusing answer, read the article:->
http://www.cybergrain.com/tech/hdr/
The Future of Digital Imaging - High Dynamic Range Photography
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